Notre Dame de Paris tells the story of Quasimodo, the hunchbacked bell-ringer of the cathedral of Notre-Dame and of his impossible and tragic love for Esmeralda, a beautiful gypsy. A love condemned by injustice and hypocrisy. Quasimodo forced by his ugliness to look at the world from the top of a tower one day he falls madly in love with Esmeralda who sees dancing and singing on the square in front of the cathedral. But Esmeralda is in love with Febo, the handsome captain of the King's guards. Febo is fiancé of Fiordaliso, a young and rich bourgeois, but the exotic and sensual beauty of the gypsy does not leave indifferent the man who immediately falls in love with her. Even Frollo, the archdeacon of the cathedral, is attracted by the gypsy and spying on the moves of the two lovers in a raptus of jealousy and repressed carnal desire to get rid of the rival stabbing Febo behind.

The gypsy Esmeralda captures the hearts of many men, including those of Captain Phoebus, the poet Pierre Gringoire, the hunchback Quasimodo, and his guardian Archdeacon Frollo. A story of love and desire set against a backdrop of social and class turmoil, the tragic story of Notre Dame de Paris comes to life on screen.

Latvian opera in 3 acts and 20 scenes, based on a novel of the same title by Victor Hugo.

High Definition recording June 2014, Arena di Verona. This opulent production was directed by Franco Zeffirelli and sung by an international cast of excellent singers: Russian mezzo-soprano Ekaterina Semenchuk, soprano Irina Lungu, tenor Carlo Ventre and Carlos Alvarez. The famous opera is staged as a colourful feast for the eyes, true to its source and convincingly acted by soloists, chorus and ballet alike. Conducted by Henrik Nánási it is a gloriously sung musical experience.

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Puccini’s melodrama about a volatile diva, a sadistic police chief, and an idealistic artist has offended and thrilled audiences for more than a century. Critics, for their part, have often had problems with Tosca’s rather grungy subject matter, the directness and intensity of its score, and the crowd-pleasing dramatic opportunities it provides for its lead roles. But these same aspects have also made Tosca one of a handful of iconic works that seem to represent opera in the public imagination.

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Elton’s first ever concert in Verona, and just his 10th in Italy, took place during his 130-show global tour of 1988-1989 to promote the album “Reg Strikes Back”, which reached #3 in Italy. Backed by his new eight-piece band, Elton delighted the crowd, and those watching live across Europe on Sky TV, with songs from throughout his career; he began the show with four selections from 1970 and included five from the new album in the 22-song set list. Clearly moved by the audience, who enthusiastically lead the performer into a gospel soul rendition of “Sad Songs (Say So Much)” before witnessing one of his funkier extended piano solos during “Mona Lisas And Mad Hatters (Part Two)”, Elton and the band, anchored by drummer Jonathan Moffett (George Michael, Madonna, Michael Jackson and the Jackson family) gave it their all on that Wednesday evening with a performance that stands the test of time over 30 years later.